color grading davinci resolve with premire pro

Both have each of their upper hands, and it all just depends on how the colorists make their wary around these editing programs. In Part 3 I’ll show you how all of our testings in Parts 1 & 2 of this series leads to a conclusion that falls apart when applied to how most of us actually do this work (and it’s all related to that pesky ‘Anchor Point’ setting).Premiere Pro’s Lumetri is equally loved and used as Davinci’s Color Panel. If at the end of this Insight you think you know what my final recommendation will be… think again!

Or is it? This Insight is also a demonstration on how ‘laboratory testing’ can lead you astray Resolve’s default behavior may not be the best choice in a Premiere to DaVinci Resolve handoff But most Resolve editors and colorists will use Resolve’s default behavior since that’s usually the easiest way of working. You can override this global setting on a clip-by-clip basis-if you need to. In Resolve, a single preference controls globally what happens when you edit a differently sized image into your timeline. In fact, the Premiere to DaVinci Resolve handoff is troublesome because Resolve takes a fundamentally different approach than Premiere.ĭaVinci Resolve Solves Frame Size Mismatches at the Project Level

With our understanding of the three ways to force fit over- or under-sized images into your timeline in Premiere Pro CC ( from Part 1 of this series), it’s time to understand how DaVinci Resolve deals with the same problem. Premiere Pro Detective: Setting Scaling for Resolve Roundtripsĭay 18: 25 Insights in 25 Days New Year Marathon Premiere Pro Detective: How DaVinci Resolve (mis)Interprets Scaling Part 2: Understanding the ‘Premiere to DaVinci Resolve’ Image Sizing Handoff.Tutorials / Premiere Pro Detective: Setting Scaling for Resolve Roundtrips / Understanding the Premiere-to-DaVinci-Resolve Image Sizing Handoff Series

Color grading davinci resolve with premire pro